Saturday, January 4, 2014
2014: An Evolution Of Commentary
Started putting together another writeup when it came rumbling back that there is indeed a need for discussion of visual media to become more interactive. It just seems like the online fan community is ready for something a little more direct than what tends to be currently possible. And this is moreso than the (already?) mere realm of blogging/posting/commenting model. As wonderful, freeing, and often gratifying a method this is, numerous discussions in real life have brought about thoughts regarding what is to become of this new culture of comment that has grown in the wake of the blogosphere. Even as social networks wrangle together the anarchy of online barbs and bland platitudes, there is much to be said about a greater awareness of how stories are made and then sold to us. The psychological and social implications of this nascent world we are now typing and sharing within might just herald a new, extended language of discussion between enthusiasts, and I would like to perhaps play with the possibilities as the new year takes shape.
And perhaps the way to do this, is to embrace the speed of communications, and bring the model back to its origin by way of real-time film discussion.
And while one might assume we are talking about something akin to live streaming, a part of me wishes it would be possible to do this without the need for cumbersome keyboards, and straining eyes fixed at a small screen. As exciting as the online realm has become with these activities, a lacking element seems to be a faith in half-formed ideas. The kind that allows for greater boughs of understanding; something that the speed of "posting" tends to cancel out, often to the propagation of static arguments when all one required was a little more time to iron out a thought. As fast and efficient commentary has become in such a brief few years, it is this element of discourse that often gets lost in the mix. Almost as if imaginary doors are closed after statements are left behind on a comment board, or beneath a YouTube window, these tend to grant evidence that few methods eclipse the speed/malleable interplay of human dialogue. And while livestreaming does sound like a good possibility for Cel Count Media in the near future, the urge to experiment with something more direct and live remains pretty strong.
Not too much unlike Cinema class, a local screening with outdoor seating, preceded by intro discussion, and closed by way of post-film thematic exchange just sounds super attractive(if a bit tricky in the logistics). Yes. The Kaijyu sees 2014 as the year matters took a new, slightly more ambitious tune with the Kaijyu. And it feels like the right time to begin adding new features beyond the normal internet footprinting that happens after a few years of writing. The screening and writing feel like organic beacons to what could eventually be something published on paper. Have really been feeling a wish to expand matters onto another format for some time, and as busy as 2014 is already shaping up to be, this feels like the most appropriate time. As posts become more and more theme-driven, and reviews begin mutating into more story, idea, and communication-based, it's natural that the Kaijyu take on something slightly more challenging. Considering that my favorite film of 2013 ended up being something not quantifiable on any mechanistic level, the Kaijyu is set to wander in ways never thought possible before.
Quite excited about the coming months. For updates, Twitter is still the very best way to see what I am up to. A podcast at Cel Count is under way today, and am eager to share more hidden, wondrous things with all of you, so stay connected, and be sure to keep up with the feedback. We'd love to hear your thoughts, so keep it coming!